No Description Available. Genre: Classical Music Media Format: Compact Disk Rating: Release Date: 11-FEB-1992
Customer Reviews:
Avg. Customer Rating: 4.5 / 5.0
Sonic perfection:
Solti recorded these works at Medinah Temple, Chicago, in 1978 and 1979, while Orchestra Hall was undergoing the first of several long-needed acoustical makeovers. Reiner, Solti's exacting predecessor, recorded many seminal performances there after engineers assured him that Medinah's acoustics exceeded those of Orchestra Hall as it then existed. The building, dating to 1912, still stands on the Near North Side of Chicago, having been granted landmark status by the city on June 27, 2001. The sound of all 4... more info
Beautiful Renditions of the Brahms Symphonies:
I can only share the enthusiasm of reviewers who praise these performances by Georg Solti and the Chicago Symphony Orchestra. I own most of the Brahms box sets (Chailly, Harnoncourt, Karajan, Bernstein, Bohm, etc.), but I have to say I'm most impressed with these recordings. I actually prefer Solti's and Harnoncourt's to Karajan's acclaimed cycle. I'm not sure what is about these performances that make them so great. The tempi are excellent and not rushed. The overall sound quality is really good,... more info
Masterful:
I love these performances by Solti. Then I don't. But I really do. Sound confused? I truly admire these excellent performances of Brahms' symphonic cycle. This is straightforward Brahms. Great conducting. I expected that by Solti. It also has tremendous bulldog orchestral syncopation by one of America's consistently best orchestras since WWII. I don't expect to see much better conducting or playing. So why am I so torn by Solti's great performances? He plays the music as honestly as it can be played. The... more info
Un-sensational Brahms:
One generally tends to think of Georg Solti as a sensationalistic conductor--going for spectacular orchestral effects even at the expense of line, structure and mood. Whether this generalization is in any sense apt is an open question, but it certainly doesn't apply to Solti's remarkably cogent Brahms cycle. Surprisingly, the performances in this box are closer in style to Klemperer than to Stokowski or Bernstein. That means slow and steady rather than febrile or opulent. The First begins grandly with... more info
Tracks:
Symphony No. 1 in C minor, Op. 68: Un poco sostenuto... Allegro
Symphony No. 1 in C minor, Op. 68: Andante sostenuto
Symphony No. 1 in C minor, Op. 68: Un poco Allegretto e grazioso
Symphony No. 1 in C minor, Op. 68: Finale, Piu Andante... Allegro non troppo, ma con brio
Symphony No. 2 in D major, Op. 73: Allegro non troppo
Symphony No. 2 in D major, Op. 73: Adagio non troppo
Symphony No. 2 in D major, Op. 73: Allegretto grazioso
Symphony No. 2 in D major, Op. 73: Allegro con spirito
Tragic Overture, in D minor, Op. 81
Symphony No. 3 in F major, Op. 90: Allegro con brio
Symphony No. 3 in F major, Op. 90: Andante
Symphony No. 3 in F major, Op. 90: Poco Allegretto
Symphony No. 3 in F major, Op. 90: Allegro
Academic Festival Overture, for orchestra in C minor ('Akademische Festouvertüre'), Op. 80
Symphony No. 4 in E minor, Op. 98: Allegro non troppo
Symphony No. 4 in E minor, Op. 98: Andante moderato